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Sensitivity figures are 1.6mV/Pa for the VR1 and 10mV/Pa for the VR2. Before packing everything away I put up my original SE R1 — the company's first ribbon model, which has a much more old‑school ribbon sound — and in all the above applications it sounded warm and punchy, but was far less well defined at the top end. ... Coles 4038 Studio Ribbon Pair. This was achieved using state of the art transformers and a Rupert Neve designed circuit board to reveal HF usually absent. With the mic 15 to 25 centimetres from the speaker, and slightly off‑axis, the overall tonality came reasonably close to how I felt the amp sounded in the room — the top end kept the right degree of bite, but there was still a sense of a ribbon mic's smoothness. Nevertheless, the benign high-end of the ribbons kept the sound from becoming aggressive, so it may suit some styles, where a deliberately bright sound is not required. Avantone CR-14. The active VR2 sounded virtually identical to the VR1 but was, as indicated by the specifications, far more sensitive. Both mics respond well to EQ and their smooth‑but‑extended top end might see them being used in situations where you'd normally pick a capacitor model. What witchcraft is this? After all, if the response of a ribbon mic can now be made similar to that of a capacitor mic, wouldn't that defeat the entire reason for building a ribbon mic in the first place? They come in wooden cases, with profiled foam inserts to provide safe storage, and in addition to a simple plastic stand‑mount, there's also a shockmount cradle similar in styling to that provided with SE's SE4400 capacitor model. I've not personally tried the Blue Woodpecker, though apparently that also provides extended high end and may therefore be worth auditioning. Very warm smooth sound!” - Assorted Sweetwater users (more VR1 & VR2 reviews at Sweetwater.com) The ribbon used in the Voodoo capsule itself is only two microns thick, and produces the figure‑of‑eight polar pattern you usually find in ribbon mics. Although closer to the original R1 in price, the Voodoo mics sound surprisingly similar to the rather more costly RNR1, and they should suit many studio applications. Eddie Mapp, front of house engineer with eclectic alt-rock/pop band Paramore, is using three sE Electronics Voodoo VR1 Ribbon Microphones and a pair of IRF2 Instrument Reflexion Filters … Both models can handle up to 135dB SPL, and the VR1 has a self-noise figure of 17dB while that of the VR2 is 20dB. 5 . On spoken word, the two mics again sounded very close to the RNR1, with only the RNR1's extra low-end warmth giving it away as the pricier mic. For my first test, I used the VR1 on electric guitar, purely because I was intrigued to find out if that extended top end would produce a harsh sound. Raleigh-Durham-Chapel Hill, NC - Ryan Pickett, FOH and live performance archive recording engineer for the band My Morning Jacket, is currently using sE Electronics Voodoo VR1 passive ribbon microphones and patented sE … The VR1 & VR2's ability to perform - coupled with their unique look - have already made them a secret weapon for top musicians and engineers worldwide. Is there a 'right way up' to mount a mic? The engineers at SE are not saying too much about how their Voodoo capsule design works (there wouldn't be much voodoo about it if we knew! This translated well with both clean and dirty guitar sounds, and though a little EQ may be needed to tame the inevitable proximity bass-boost when working up close, achieving a good electric guitar sound using this mic was no problem. While SE's deluxe RNR1 ribbon model (which was designed in conjunction with Rupert Neve, and which I used as a reference mic while testing the Voodoos) uses specialist circuitry and custom transformers to achieve its extended high end, the Voodoo models use a novel mechanical diffusor method, that's an inherent part of the capsule design. ", - Steve Stevens, guitarist (Billy Idol) -, SoundBites: Rainer Lidauer and the V SERIES For Drums, SoundBites: V7 X, VR1 + Electric Guitar - Rupert Träxler, sE On Tour - The World of Hans Zimmer: A Symphonic Celebration, The VR2: Spotify Studios and sE Electronics, sEssions: Esplanade Studios & The Rupert Neve Signature Series. Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. What is a "hybrid" audio interface anyway? SE have aimed to combine the smoothness of ribbon mics with the high-end extension of a condenser. $315. Will be investing in more SE mics in the future.” ”The VR1 has worked great, so much so that I decided to pick up a second to be able to use them for stereo drum overheads as well.” ”My favorite use is on acoustic guitar body. I was surprised at the subjective similarities in tonal character between the three designs, given that the Voodoo models and the RNR1 achieve their extended high‑end response in very different ways. ... K&M 23550 Microphone Stereo Bar. That’s why I like this microphone - it’s a no-brainer! sE Electronics Voodoo VR1 4.25 out of 5, based on 2 Reviews Excellent sounding passive ribbon microphone with a custom-design to increase high-frequency response. Until the VR Series, the only ribbon mic in the world to perform across 20Hz-20kHz was our own Rupert Neve collaboration, the RNR1. You save $16.70 . One Synth Challenge V - The Filter Strikes Back! All rights reserved. The views expressed are those of the contributors and not necessarily those of the publishers. SE Electronics VR1 Voodoo Bundle SE Electronics Pop Screen + SE Electronics VR1 Voodoo . Active circuitry can be designed to add gain, which in this case means that there's no need to use a specialist low‑noise, high‑gain mic preamplifier: the VR2 has some 14dB more output level than its passive sibling, which means it can give good results with a typical console front‑end or audio interface's mic preamp. £274. Re: Why does Liam Gallagher's vocals sound shit? Classic ribbon sound but with more high‑end extension. Why Are Some A-B Stereo Arrays Angled Outwards? The VR ribbon microphones from sE mark a new era for ribbon mic technology. $98. This was achieved using state-of-the-art custom transformers and a Rupert Neve-designed circuit to reveal HF usually absent. Generating Element: Hand-tensioned 2.5µm aluminum ribbon, Power requirement: N/A (phantom-protected), - Steve Stevens, guitarist (Billy Idol) - sE Artist, - Lance Reynolds, FOH Engineer (Alt-J) - sE Artist, - Sebastian Schmidt, Drummer (Milky Chance, Adel Tawil) - sE Artist, - Paul White, Sound On Sound (full review), - John O'Mahony, Mixer / Producer (Vance Joy, Sarah Bareilles, Coldplay, Metric) - sE Artist, - Josh Turner, Singer / Arranger / Multi-Instrumentalist / Engineer - sE Artist, - Adam Lazzara, Singer (Taking Back Sunday), - Jack Douglas, Producer/Engineer (Aerosmith, John Lennon), - Ryan Pickett, FOH (My Morning Jacket) - sE Artist, - Ken "Pooch" Van Druten, FOH (Linkin Park) - sE Artist, - Brian Tarquin, BHP Music Ltd. - sE Artist, - Robbie Stamp, Future Music / Music Radar (full review), - Assorted Sweetwater users (more VR1 & VR2 reviews at Sweetwater.com). €1,845.69. The VR2 appears slightly noisier because it has its own preamp stage, whereas the self‑noise figure for the VR1 doesn't include any noise contribution from the preamplifier to which it will be connected — and which will need to be operated at a higher gain than if a VR2 were connected. Physically, these mics look unlike any ribbon mics I've seen before, not least because of their small size and slab‑like shape. "The sE Electronics Voodoo VR-1 and VR-2 ribbon mics mark a new era for ribbon mic technology – until now the only ribbon mic in the world to perform across 20Hz-20KHz was the sE… Q. Most of my tests were done using a Universal Audio Solo 110 preamp, but I also got perfectly good results from the VR2 using the preamps in my M‑Audio interface. Because of its active circuitry, the VR2 requires 48V phantom power to operate. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. £1,244. Why does Liam Gallagher's vocals sound shit? The only ribbon I've heard that sounds similar is the same company's rather pricier RNR1, although the Audio-Technica AT4050 capacitor model also manages to sound smooth at the high end and works particularly well if you need a mic for guitar cabs. $409 . I purchased the SE VooDoo ribbon microphone to balance out my multi-mic recording of various acoustic guitars of makes, models, … Interestingly, the Neve RNR1 sounded surprisingly similar, but with a slightly more full‑sounding low end. Sanken CS-3e. This was designed by Siwei Zou, the company's CEO, who is also a respected classical musician, happens to have very good ears and knows exactly how well‑recorded instruments should sound! PreSonus StudioLive 32SC Series III Mixing Console. ), other than that it includes some precision diffusion elements — but my tests here show that whatever they've done, it works. The are two versions of the Voodoo ribbons — the passive VR1 and the active VR2 — and both models claim a 20Hz‑18kHz frequency response. While some see the rear sensitivity of a figure‑of‑eight mic as a negative point, it is easy enough to take care of this using acoustic screens if necessary, and the insensitivity to sound arriving 90 degrees off‑axis can be a very useful ally in the war against spill. Avantone CR-14. 5 . During a recent session for an album we were producing with singer/songwriter Adrian Brannan, we got a chance to try out the SE Electronics Voodoo VR2 for the first time as the acoustic guitar mic, and it … Q. $1,435. Like the RNR1, both of the Voodoo mics have significantly more high‑end extension than a typical ribbon mic, but the sound still manages to retain its smoothness in the upper registers. You'll find recordings made with the Voodoo mics on the SOS web site at /sos/feb11/articles/se-voodooaudio.htm alongside recordings made with the SE RNR1 for comparison. I'd describe the vocal character as warm and smooth, but not dull, and it could really help singers with 'thin' voices. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. $9.80. The VR2 active version is based on the same capsule design as the VR1 and, although the body is rather longer, it follows generally similar physical styling. £351 ... Coles 4038 Studio Ribbon Pair. Show all . Ribbons are normally chosen when the high end of the source material needs smoothing out — common examples being bowed strings and guitar amps — so adding the wrong kind of top end could negate their benefits. £1,969. If you like the idea of a ribbon sound but find traditional ribbon mics a touch too dull, the Voodoos might just win you over. First Look: Pro Tools | Carbon. Los Angeles, CA - An sE Electronics Voodoo VR1 passive ribbon microphone is an essential component in the recording signal chain at a private production studio owned by guitarist and songwriter Steve Stevens, best known for his collaborations with Billy Idol over the past three decades. SE Electronics VR1 Voodoo Bundle SE Electronics Pop Screen + SE Electronics VR1 Voodoo . Win! Mastering Essentials Part 3 - How loud should I master? You may login with either your assigned username or your e-mail address. $2,199. Both the Voodoos and the RNR1 responded well to EQ, and further tests with acoustic guitar and percussion again revealed results so similar that it was often difficult to tell any of them apart. The result is a superbly detailed, open and natural recording of acoustic instruments and guitar cabs. €1,206.03. 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